Studio Recording Equipment by MMDC Studio.com

I want to make a home made rap studio?

So i have a mic. So I dont want to buy any equipment for beats.I can get them online. So do you guys know any software for a underground kind of rapper. I try some programs like reaper and wavepad. No good outcome. SO any programs i can to mix my vocals with the beat and such thanx in advance.

The best free software is Audacity

http://audacity.sourceforge.net/

If you want to get decent vocals, consider viewing what’s the minimum you need to buy in your home studio:

http://answers.yahoo.com/question/index;_ylt=Aj0zspp4qRl.QzO8fgU2yvfty6IX;_ylv=3?qid=20091130171953AAdsDyd&show=7#profile-info-AA12007197

hugnation, creative commons, make beats online

Champcheer and Dance Mix Volume 1 (Software) $24.99 by Mark Coleman, part owner and coach of the Pep Club All-Stars; former cheerleader at Vanderbilt University and the University of Kentucky Champcheer and Dance Mix Volume 1 contains 10 Slamming, In-Your-Face Jams with quick transitions that fit the fast-paced style of today’s cheer and dance routines! Included are two versions of all 10 tracks – 20 total audio tracks! Tracks 1-10 are at 138 BPM (beats per minute). Tracks 11-20 are the same mixes as 1-10 but at 141 BPM. The 141 BPM faster tracks are specially formatted for experienced Dance and All-Star Cheer teams. Champcheer and Dance Mix Volume 1 is the only dual-format disk of its kind. Not only is the disk packed with blazing, upbeat tracks, but there are wave files included that allow customizing of the tracks. The wave files are included as a bonus and will save you the time and effort of ripping the tracks! The wave files include tons of extras including instrumental backbeat versions of all 10 tracks. These files were the backbone of all of the tracks and can now be added to other songs and routines to jazz them up! All of the wave files are Acidized and ready to be used in Sony’s Acid or other compatible looping software. The Bonus files are labeled with the number of beats in the name (Laser Boom 2) to help with looping. However, if you load them into Acid that information is preloaded and ready to go! The Sound FX in the Bonus files are all licensed and/or original! Champcheer & Dance Mix #1 includes a variety of styles and is not monotonous techno. 2004.

Busy Beats $14.74 Busy Beats is actually a U.K. compilation of tracks drawn from both Baby’s First Beats and Pretend Hits, apparently meant as an introduction of sorts to British audiences. All well and good, but it seems rather superfluous since the albums from which the material hails were issued not long before this CD came out. It would seem that in the days of mega-stores, specialty stores, and online stores, it shouldn’t be that difficult for anyone, even from outside the U.S., to get the first two albums themselves, which would be reasonable investments for anyone who likes hearing half of each one on this disc. Anyway, if these do happen to be the only Busy Signals available in your neighborhood, it’s a reasonable enough overview of what Howard W. Hamilton III’s accomplished on his maiden outings. As for the music, it’s perhaps more inventive than it is excellent. But it’s a good-natured stew of several decades’ worth of eclectic pop/rock, garnished by samples, electronics, and hip-hop-ish beats. He’s among one of the relatively few practitioners of the art that makes the modern trimmings subservient to the pop songs at the heart of his work, rather than overdubbing them to make him seem more trendy or making the pop subservient to the gimmickry. Has anyone noticed that he’s sampled mid-’60s Beau Brummels outtakes (which lay unissued until a rarity compilation in the 1980s) more than once? The weird low voice saying “watch it, watch it” throughout “The New You” is lifted from studio chat at the beginning of the Beau Brummels’ “Dream On,” while the folk-rock guitar on “Low on the Food Chain” is from the same group’s “Love Is Just a Game.” Now baby, that’s esoteric. ~ Richie Unterberger, All Music Guide

Big Fish Audio Bollyhood Beats $79.97 The Bollyhood Beats Sample Library comes to the rescue when you want to mix today's hip-hop, pop, and R&B tracks with traditional Indian rhythms. Big Fish Audio Bollywood Beats is a perfect combination of drum beats and some of the hottest Indian percussion you've ever heard. Each recorded kit contains a full mix of the percussion and the drums together, a full percussion-only mix, and each individual percussion part playing separately. Instruments recorded for this virtual library include: tabla, dholak, duff, manjira, ghungroo, clay pot, and various types of shakers. This massive multi-disc library was performed by Sanket Athale, one of India's top percussion players and produced and conceived by Dinshah Sanjana. Having the live Indian rhythms in Bollyhood Beats perfectly melded to the styles of today's modern music will give your tracks the edge over your competition.

Sonivox Brushed Beats $49.95 Producer Simone Coen of Chocolate Audio in Italy created Brushed Beats, a drum loop collection of more than 1200 loops and 500 one-shot hits tastefully played and creatively arranged to allow you, the musician, the flexibility to build extremely realistic rhythm foundations for your productions. Many different makes of brushes were used in order to get a wide palette of sounds useful in rock, pop, R&B, acoustic, country, or any crossover genre. Sonivox Brushed Beats’ tempo-based song-style organization makes it easy to assemble tracks with a variety of creative elements that augment the primary loop patterns: fills, intros, endings, and solo sections that blend seamlessly and bristle with energy and life. Each ‘song’ type is presented in multiple mixes, making skilled use of compression, EQ, and reverb to give each mix its own sonic stamp. Add to that multi-mic loops that let you isolate the snare and kick drums, and plenty of shuffle, 6/8 and 12/8 grooves, and you have a loop collection that goes far beyond the ordinary to create a rhythmic palette of rich versatility.

SONiVOX Brushed Beats $49.95 Producer Simone Coen of Chocolate Audio in Italy created Brushed Beats, a drum loop collection of more than 1200 loops and 500 one-shot hits tastefully played and creatively arranged to allow you, the musician, the flexibility to build extremely realistic rhythm foundations for your productions. Many different makes of brushes were used in order to get a wide palette of sounds useful in rock, pop, R&B, acoustic, country, or any crossover genre. Sonivox Brushed Beats' tempo-based song-style organization makes it easy to assemble tracks with a variety of creative elements that augment the primary loop patterns: fills, intros, endings, and solo sections that blend seamlessly and bristle with energy and life. Each 'song' type is presented in multiple mixes, making skilled use of compression, EQ, and reverb to give each mix its own sonic stamp. Add to that multi-mic loops that let you isolate the snare and kick drums, and plenty of shuffle, 6/8 and 12/8 grooves, and you have a loop collection that goes far beyond the ordinary to create a rhythmic palette of rich versatility.

Woodbox: Beats & Balladry $15.98 Haitian-born classical violinist Daniel Bernard Roumain has made a name for himself across the musical spectrum, performing with DJ Spooky, Emeline Michel, and Lady Gaga, composing work for dance companies, and, under his own banner, combining violin with electronics and programmed rhythms in a way that’s no mere grafting of classical instrumentation to hip-hop à la Miri Ben-Ari, but a genuinely new sound. His beats are sparse and stuttering, and the occasional outbursts of turntable scratching are equally subtle and restrained, more in the style of DJ Krush than the Invisibl Skratch Piklz. His violin is both bowed and plucked, and subjected to various types of distortion and electronic manipulation. Some tracks erupt in bursts of outright noise. Occasionally other instruments, most notably piano, enter the mix, but there are no co-leaders and (mercifully) no vocalists; this is Roumain’s show, and it’s overwhelmingly a melancholy and quite beautiful one. ~ Phil Freeman, RoviPerformers: Daniel Bernard Roumain – Effects Pedals

Champcheer and Dance Mix Volume II (Software) $24.99 by Mark Coleman, part owner and coach of the Pep Club All-Stars; former cheerleader at Vanderbilt University and the University of Kentucky Tracks #1-4 are Mega Mixes of the original mixes at 141 BPM Track #1 – Mega Mix #1 @ 11 8C Track #2 – Mega Mix #2 @ 12 8C Track #3 – Mega Mix #3 @ 13 8C Track #4 – Mega Mix #4 @ 14 8C Tracks #5-12 are the original 8 mixes at 135 BPM Track #5 – Dime Mix @4 8C Track #6 – Lose Control Mix @4 8C Track #7 – Hey Now Mix @4 8C Track #8 – Crash Mix @4 8C Track #9 – Work It Like That @8 8C Track #10 – Back Then Mix @8 8C Track #11 – Dirt Off Your Mama Mix @8 8C Track #12 – Yeah Mix @8 8C Tracks #13-20 are the same mixes (Tracks #5-12) at 141 BPM Track #13 – Dime Mix @4 8C Track #14 – Lose Control Mix @4 8C Track #15 – Hey Now Mix @4 8C Track #16 – Crash Mix @4 8C Track #17 – Work It Like That @8 8C Track #18 – Back Then Mix @8 8C Track #19 – Dirt Off Your Mama Mix @8 8C Track #20 – Yeah Mix @8 8C

Relentless Beats, Vol. 2 $14.43 The second volume in Mistress Barbara’s Relentless Beats series for Moonshine features the Montreal DJ throwing down records by some of Northern Europe’s finest hard techno producers: Adam Beyer, Joel Mull, Marco Carola, Ben Sims, and more. It’s a more intense set than her previous volume, pounding from the first track to the last. And since she makes it through a total of 23 tracks on the album, the set never really hits a lull since she’s always either in the mix or approaching a mix. More so than on the first volume, this one showcases Barbara’s excellent mixing skills. She chooses a wide array of tracks that are always banging but still manage to juxtapose each other enough to make the mixes often impressive, if not dazzling. One of the best DJs on the sometimes pandering Moonshine roster, Barbara shows here why such a commercial and mainstream label would bother with someone like her who spins such abrasive music. And it’s not so much because she’s a female DJ with a cool name but more so because she’s a great mixer who also happens to produce her own tracks that stand alongside some of hard techno’s best producers without paling in comparison. Since this volume is a bit more hard and harsh than her first volume, as she explains in her liner notes, many may wish to start there first. However, all things considered, this volume is the better of the two, being more typical of her style and less pandering to mainstream taste. ~ Jason Birchmeier, All Music Guide

Indestructible Arabian Beats $12.98 Dates aren’t given for all of the tracks on this 14-song compilation, but it can be reasonably assumed that they were recorded within the five years or so prior to its 2003 release. Subtitled “Future Sounds from the Souks,” the emphasis is on Middle Eastern performers, or at least performers of Middle Eastern ancestry, combining Middle Eastern music with modern technology and pop. The Middle East is, of course, a huge and diverse region, which is reflected in the countries represented here, including Turkey, Egypt, Algeria, and Morocco. Note that the tracks aren’t necessarily recorded by present inhabitants of those lands, but also by descendants of immigrants who are now based in non-Middle Eastern locations like London, Paris, or Switzerland. Boundary crossing often makes for interesting music, but at the same time, this anthology isn’t immune from criticism that applies to many recordings of this sort, such as the ones by the long-established Barraka Productions (which produced three of the tracks here). For rather than fusing the best of both worlds, often this sounds like folk and ethnic sounds of the Middle East put to dull, slick European dance beats and modern electronic instruments. Still, these artists — Aisha Kandisha’s Jarring Effects is the only act with a reasonably high Western profile — are trying something different by fusing Middle Eastern sounds with hip-hop, dub, and dance. Sometimes they come up with something that stands out as less generic, like Amina’s mix of French chanson singing and Tunisia on “Un Ange en Paix,” Souad Massi’s “Nekreh el Keld,” which actually sounds rather close to Spanish flamenco music, and “Kim Dedi” by Aziza A, described in the liner notes as “the first female Turkish hip-hopper.” ~ Richie Unterberger, All Music Guide

Hard Surface Stand for the Divot Mate Divot Mix Container $79.99 Hard surface stand (only) for the Divot Mate Divot Mix Container .

Mix $25.99 Mix

Hot Cocoa Mix $11.66 Nothing beats a cup of hot cocoa mix. These single serving packets allow you to quickly and easily satisfy your craving for chocolate–simply add hot water and mix. With Splenda Global Product Type: Beverages-Cocoa; Beverage Type: Cocoa; Flavor: No Sugar Added; Packing Type: Packet.

The Beats $20.48 One critic in the 1950s acidly declared them the "Bleat Generation." Yet the Beats have survived their worst publicity. No matter that J. Edgar Hoover cited them and communists as the two greatest threats to American society, Allen Ginsberg’s Howl is now considered by many to be the most influential poem by an American in the twentieth century and Jack Kerouac’s bestselling and groundbreaking novel On the Road stands boldly in the front ranks of America’s literary heritage. This handsome new volume in a successful series of generously illustrated and documented literary reference works offers a fresh perspective both on the literary legacy of the Beat Generation—Jack Kerouac, Allen Ginsberg, William S. Burroughs, Neal Cassady, Gregory Corso, John Clellon Holmes, and Gary Snyder—and on their once-notorious bohemian lifestyle that embraced nonconformity, interracial relationships, relaxed sexual mores, espresso, drugs, and jazz. An ample selection of photographs, manuscript reproductions and book jackets, extracts from personal correspondence as well as reviews and interviews, all serve to illuminate the substance of the Beats’ rebellion against the tyranny of social convention and of literary orthodoxy. For the restless journey of the Beats—from Greenwich Village to San Francisco to Mexico to Europe and North Africa—also proved to be a continuous quest, one that ended not simply in the experience itself but in landmark novels like William Burroughs’s Naked Lunch and poems like Gregory Corso’s "BOMB."

Mix Tape Cuff Links – 1 Pair $49.95 Born post 1984, need not apply. Nostalgic cassette tape cufflinks are the perfect reminder of your glory days when mix tapes were passed around as a sign of affection. Approximately 3/4W x 1/2H Enamel and black plated Bullet back closure

Blue Impression Blue Note DJ Mix by Mitsu the Beats $42.99 Description not provided.

Beats & Places $11.99 Beats & Places

Latin Beats $29.99 Latin Beats

Electro Beats $32.99 Electro Beats

African Beats $14.99 African Beats

Heart Beats $31.99 Heart Beats

Beats Of Seasons $10.99 Beats Of Seasons

Gypsy Beats $11.99 Gypsy Beats

Buddha Beats $14.99 Buddha Beats